To submit or not to submit

Banned Books #4
Image by ellen.w via Flickr

“This manuscript of yours that has just come back from another editor is a precious package. Don’t consider it rejected. Consider that you’ve addressed it ‘to the editor who can appreciate my work’ and it has simply come back stamped ‘Not at this address’. Just keep looking for the right address.” – Barbara Kingsolver

Writing is not a job description. A great deal of it is luck. Don’t do it if you are not a gambler because a lot of people devote many years of their lives to it (for little reward). I think people become writers because they are compulsive wordsmiths.” – Margaret Atwood in The Times

Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he’ll eventually make some kind of career for himself as writer.
Ray Bradbury
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
– John Campbell
There are three difficulties in authorship: to write anything worth publishing — to find honest men to publish it — and to get sensible men to read it.
– Charles Caleb Cotton
An artist’s sensitivity to criticism is, at least in part, an effort to keep unimpaired the zest, or confidence, or arrogance, which he needs to make creation possible; or an instinct to climb through his problems in his own way as he should, and must.
Christopher Fry
I went for years not finishing anything. Because, of course, when you finish something you can be judged…I had poems which were re-written so many times I suspect it was just a way of avoiding sending them out.
– Erica Jong
You may be able to take a break from writing, but you won’t be able to take a break from being a writer…
Stephen Leigh

To submit or not to submit…that is the question of the week?

It is one thing to decide to write a story, it is another thing to finish this story and still a completely other thing to submit the story to a professional. It takes courage to do all three but I believe the greatest accomplishment and most courageous of these three is: to finish this story. Of course there is nothing stopping you from then putting your completed manuscript in a hidden drawer with the secret knowledge that you have completed a book.

Is this why you wrote your story? To hide it, unacknowledged by any but you. Perhaps this is your reason. For that I, nor anyone, can judge you. But what happens if there is a fire and your manuscript burns before you can free it? Then you would have put all that work and courage, all those tears of frustration and smiles of joy, into something that has become nothing. Soon, you will forget your story and then it will disappear like a thread on the end of a zephyr’s tail.

What is your other option? You are then faced with the quandary at the beginning of this post:

To Submit or Not to Submit

  • You have written it and rewritten it countless times.  You are at that point in the relationship where you commit or leave.
  • You commit.
  • You write a synopsis.
  • You write a query letter.
  • You find agents who accept your genre.
  • You submit your manuscript.

Now you wait. From some agents you wait for weeks, some days, some moments. But eventually answers will start trickling in. Some of them will be non-committal. Some of them will be bland refusals. Some will be harsh. Some will be filled with constructive criticism. But all these first ones, if you are like most authors both known and unknown, will be rejections.

But are they rejections?

Yes, they have refused to take your book under their wing. At first, your initial reaction will be like that of a parent being told their kid was the only kid not picked for the sports team. You will feel personal anger, even irritation. Then you will feel doubt at your own ability.

Again I ask the question, are they all rejections?

Perhaps the question should be why am I being rejected? You may get the answer to that with the rejection slip or you may never know. But you must remember one very important fact: Agents / Editors / Publishers are all human beings. This means they are fallible. They are subjective. They are emotional beings. They can make mistakes. They have personal likes and dislikes. Second important fact: As a first time submission, they do not know you personally. This is not a rejection of YOU.

Here are some important rejections you can take heart from:

Emily Dickinson: Recluse and poet Emily Dickinson is a commonly read and loved writer. Yet in her lifetime she was all but ignored, having fewer than a dozen poems published out of her almost 1,800 completed works.

Theodor Seuss Giesel: Today nearly every child has read The Cat in the Hat or Green Eggs and Ham, yet 27 different publishers rejected Dr. Seuss‘s first book To Think That I Saw It on Mulberry Street.

Stephen King: The first book by this author, the iconic thriller Carrie, received 30 rejections, finally causing King to give up and throw it in the trash. His wife fished it out and encouraged him to resubmit it, and the rest is history, with King now having hundreds of books published the distinction of being one of the best-selling authors of all time.

J. K. Rowling: Rowling may be rolling in a lot of Harry Potter dough today, but before she published the series of novels she was nearly penniless, severely depressed, divorced, trying to raise a child on her own while attending school and writing a novel. Rowling went from depending on welfare to survive to being one of the richest women in the world in a span of only five years through her hard work and determination.

Jack London: This well-known American author wasn’t always such a success. While he would go on to publish popular novels like White Fang and The Call of the Wild, his first story received six hundred rejection slips before finally being accepted.

So the question is: After submitting and after rejection do you give up?

Do you give up after 5 rejections?

Do you give up after 25 rejections?

Jack London did not give up after 600 rejections. You may say: I am not Jack London. No. Quite correct. You are not Jack London. You are YOU. As such you have a unique story all of your own. Do you hide that ability, do you deny that story to the rest of the world just because some people do not want it? There are hundreds, perhaps even thousands, of agents and editors in this industry. The right one will come along. It may take you years. But if writing is your passion, your focus, your purpose: Do you dare give up?

Now I leave the question with you:

To submit or Not to submit?

To give up or To PERSIST?

Only you can be your guide.

– Kim


© All Rights Reserved Kim Koning.

Telling your story in your Character’s voice

His Masters Voice
Image via Wikipedia

I have been reading a lot lately on “Voice“. What do I mean by this? Do I mean the sound that comes out when I use my vocal chords? No, I mean “Voice” in a literal sense. I have also been doing a lot of thinking about my favourite characters in literature. More importantly why are they my favourite characters? What makes a character memorable?

There are many great literary characters out there in the world of words. Why then do a few stand out for each of us? I think the common element of a great memorable character is one that has its own distinctive voice. Yes characters are created in the imagination of a writer but the great character steps out from their creator’s imagination and becomes a living, breathing entity as real as a friend you like to spend time with. So how are these characters able to step out from the imagination and become people. This is due in part to the way the character is written. These are some of the ways that a character gains their own voice.

LISTEN

A writer has to learn to listen to the voice of their character. There will be a voice. It may not be very loud and it may even be a shy voice that takes a while to come through. Sometimes you have to learn to separate a character’s voice from the white noise of the story. Even though as a writer you may have imagined the story, the story will be happening to your character. Don’t they have a say in what happens and how they handle it?

Don’t play Puppet-Master, Cut the Strings

As the creator of the characters in your story it is very tempting to play Puppet-master with your  characters. Don’t let your writing become a mirror for your own life. If you are writing Fiction, remember that you need to stay true to the “fiction” element of your story. As tempting as it may be to stand above the scene and move your character to your own wants and desires resist the temptation. This will only result in a puppet show not a story that learns to live and breathe on its own. So cut the strings. If you find you are controlling your character’s reactions, even dictating their personality, then just STOP. Your story will be better off for it.

Don’t Parent your Characters

Unless you are writing a book about parenting skills, leave the parenting to parents. You are not a parent in your story. What do I mean by this? Don’t tell your character what to do. Sometimes you have to let them figure out things for themselves. Let your character argue with you. This will add another dimension to the character in your mind and if you pay heed to your character, your reader will also play heed to your character.

Let your characters make mistakes

This is a really important point in creating characters that resonate with your readers. Do not make your characters perfect. Make them imperfect and I will go even one step further and ask you to accentuate their flaws and imperfections. Perfection in a character is distancing and boring. We all know those characters that are so perfect and so well-adjusted to anything life throws at them that you just want to slap them. If you accentuate your character’s flaws this can be a growth point in your character’s personality. Your characters are only going to learn how things work if you let them fail.

Give your character a 3D character

Human beings are not all good or all bad. There is a little of everything in a human adult and sometimes even more extremes of emotion in a human child. Give your character a hint of arrogance and entitlement. But give them a fierce loyalty to under-pine the negative aspects. Allow them to have a temper. This is one of the most human of all emotions. Very few people can say they have no temper. If your character comes across as greedy, don’t try to change that.

Don’t protect your character

Throw something difficult their way. Put them in the way of hardship. Put them through trials and tribulations. As attached as you may be to your character, your reader has to believe that they can sympathize with them. Your reader will not sympathize with a character that you protect in a glass bubble from all the bad things in life. Life is not fair and most of the times life is not pretty. Give your character a real world to live in. Make them feel sorrow, feel anger, feel regret, feel vulnerable. It is through the bad that the strength or weakness of your character will shine through. You will make your reader believe that this character is a person, maybe even based on someone they know.

Get your reader into your character’s head

Your reader must be able to walk in your character’s foot-steps to understand your character. But how can your reader do this if you are not doing this. Ask yourself this question: Are you in your character’s head or is your character in your head? If you answered yes to the latter part of the question, then you need to backtrack. You need to get into your character’s head. How do you do this? How do you separate yourself (the writer) from the character? There are a number of ways of doing this. This brings me to the MUSCLES of today’s post and your exercise for the week…

MUSCLES

  • Do a week-long journalling exercise: For 1 week, start a journal in your character’s voice. Do not write what you want to write but write what your character is thinking and feeling.
  • Write a 1 page scene from your story. Now read over this scene. Whose writing the scene? Are you in this scene? Or is this scene one that is happening to your reader? Now go back and re-write this scene but get into the head of your character for the re-write. Now write this scene as it is happening to your character, not to you.
  • Observe your life from your character’s viewpoint. Make your character the narrator for your life this week. Put this into your journal entries.
  • Interview your character. Ask them to tell you where they see their story going. Ask them for their back story. Put your character in the driving seat of their story. Give your character their own voice in your story.
  • Read your favourite book, particularly focusing on the voice of the character that resonates with you. Do you hear the voice or do you hear the author’s voice. Analyse what tools the author uses to make you hear the character’s voice.

Now I leave you with some quotations that relate to finding the Voice of your character:

Listening is very inexpensive; not listening could be very costly!
Tom Brewer

Seek first to understand and then to be understood.”
Stephen R. Covey

“Before I can walk in another person’s shoes, I must first remove my own.”
Brian Tracy

Live out of your imagination instead of out of your memory.”
Les Brown

The more you listen to the voice within you, the better
you will hear what is sounding outside.
Dag Hammarskjold

“You have to write whichever book it is that wants to be written.  And then, if it’s going to be too difficult for grown-ups, you write it for children.”  Madeleine L’Engle

“You can’t wait for inspiration.  You have to go after it with a club.”  Jack London

Writing is an exploration. You start from nothing and learn as you go.”  E. L. Doctorow

“We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.” Ray Bradbury

Show don’t tell.”  Henry James

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” Anton Chekhov

“No tears in the writer, no tears in the reader.  No surprise for the writer, no surprise for the reader.”  Robert Frost

“Plot springs from character…  I’ve always sort of believed that these people inside me- these characters- know who they are and what they’re about and what happens, and they need me to help get it down on paper because they don’t type.”  Anne Lamott

“Don’t say the old lady screamed- bring her on and let her scream.”  Mark Twain

“A writer should create living people; people, not characters.  A character is a caricature.”
Ernest Hemingway

“And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don’t believe in magic will never find it.”  Roald Dahl

 

© All Rights Reserved Kim Koning.