First Draft..Second Draft..Third Draft..

So it begins
Image by Graham Binns via Flickr

Today has been a good day for refocusing. I was on twitter chats #writecraft and #storycraft and the topics were first drafts. As most chats end up going, it went down other paths but the main topics were first drafts and first chapters.

One of the questions was: What tools do you use to get into the Zone?

Another question was: Are emotions necessary for being in the Writing Zone?

A third question was: How do you turn off the internal editor and should you turn off the internal editor in the first draft?

There were a number of great points and questions raised. The great thing about these chats are the wealth of information us writers can be for each other. Each of us has a unique spin on the craft of writing and the writing life. Each of us, whether published or unpublished, have at least got through a first chapter and many have full first drafts completed.

So today I am going to ask you these questions which were raised in today’s chats:

  1. How important is a first chapter? Do you believe a book rests on the first chapter?
  2. Do you think a first chapter must have an immediate active element or immediate conflict?
  3. Which tools do you use – Music/Software/Stationery/Surroundings/Time of Day – to get yourself into the Creative Zone?
  4. Do you feel that the key to being in the Creative Zone is emotion – whether controlled emotion or the release of emotion?
  5. How do you turn off the internal editor?
  6. Should you turn the internal editor off during first draft and if so, how do you do this?
  7. Do you outline the first draft before writing it?

So the questions are given to you? What are your secrets for first chapters and first drafts?

What other tips can you share with me and the readers of this blog?

Post any tips or queries regarding first chapters and first drafts here…and lets get a discussion going.

© All Rights Reserved Kim Koning.

Short,Sweet & To The Point

story

I have recently been stretching my narrative abilities through the medium of Short Story. This is a medium that I find very challenging. Not since High School have I really read or written any Short Stories. Last year at the RWNZ Writers’ Conference that I attended I specifically enrolled in a talk on the Short Story and on Novellas. Then this year I started looking at writing some Short Stories for competitions. This month though I am working on three Short Stories. One is for an anthology that I have been asked to contribute to. The other two are for writing competitions. So I thought today’s post would be focused on the Art Form of Short Story Writing.

What is the difference between a Short Story and a Novel?

A short story is a work of fiction that is usually written in prose, often in narrative format. This format tends to be more pointed than longer works of fiction, such as novellas (in the 20th and 21st century sense) and novels. (Wikipedia)

A short story is more concise and tight in writing than a novel. Unlike a novel where there may be a number of incidences leading to one climax; a short story usually contains one incidence.

A novel can have multiple plot lines, different settings and a variety of characters. A short story has one plot that covers a short time period in one setting and fewer characters.

A novel is very structured in the traditional 5 point structure: Plot; Exposition, Complication, Climax, Resolution and Anti-Climax. A short story on the other hand follows a much looser structure. You have a limited space to write in so often the beginning of the story is started abruptly and often in the middle of action. The Short Story still has a Climax/Crisis/Turning Point. The ending of a Short Story is abrupt and open sometimes having a moral turn to the story. Short Stories that follow a strong moral or ethical theme are called Parables or Fables.

Now we come to the Length of a Short Story. The classic definition of a Short Story dictates that it should be read in one sitting. When talking Word Count though there are varying definitions. Often the consensus is that a short story is between 7000 and 9000 words. Once a short story gets to a count of 15 000 – 20 000, it starts becoming a Novella. Stories with less than 1000 words are called Flash Fiction.

The History of The Short Story

Short Stories find their birth in oral story telling. All the ancient cultures of this world have a base in oral story telling. Stories that were told to one another to pass down truths and teach lessons. These stories were the fodder for early imaginations. As children short stories are the first stories we come to hear, read and love. Whether we call them Fairy Tales, Bedtime Stories or Fables; these are all Short Stories. Think of ghost stories you heard sitting around camp fires or the stories your parents told you to calm you when you woke from a nightmare. In contemporary times, magazines are filled with Short Stories. Radio brought another form of media to the art of Short Stories. Short pieces are pieces of fiction to wet our imaginative taste buds.

These are the points to write a successful Short Story:

  • Have a very clear theme but Beware of being Preachy
  • Have a very strong Protagonist with clear characteristics and antagonist and a maximum of 2 other characters should secondary characters be needed
  • Hook your readers with a powerful first paragraph
  • Immediately grab the reader’s attention with an action or a conflict point
  • Strong POV – Choose 1 point of view to write from
  • Stick to one tense: Either Past Tense or Present Tense
  • Decide if your Narrator is going to be subjective or objective
  • Write tight and meaningful dialogue
  • Be very concise in your setting: Include just enough detail to put your reader into the story but make sure your detail only adds to the story
  • Set up the plot very clearly before writing
  1. Beginning – Start with a situation of conflict
  2. Middle – Present the problems (Rising Action) that occur from this situation
  3. End – Solve the problem. Keep the reader’s suspense by revealing the final point as late as you can.
  • Create Conflict and Tension quickly
  • Build this Conflict/Tension to a Crisis Point/Climax
  • Find a Resolution by showing your character has learnt and will grow from the Conflict you threw them into
  • Use vivid imagery
  • Use your words like a man uses water in a desert: very sparingly and with clear intent

Below are authors that were successful at both the Art form of Short Stories and Novels:

Charles Dickens, Kurt Vonnegut, Jr., Nathaniel Hawthorne, Virginia Woolf, Boleslaw Prus, Rudyard Kipling, William Faulkner, F. Scott Fitzgerald, James Joyce, P.G. Wodehouse, H.P. Lovecraft and Ernest Hemingway

Like with any medium of story telling you need to immerse yourself in Short Stories to be a successful Short Story Writer. Read Short Stories. Read some fairy tales or fables. Take note of what points the various authors use to make that Short Story a success.

What have I learnt from Short Stories?

I have found that dipping my pen back into Short Story telling is teaching me to be concise and to the point in my writing. It is teaching me the value of a gripping start to a story. It is teaching me to have a very clear POV. IT is also teaching me the essential tool of having FOCUS in a story. I have even been editing one of my full length novels with all the above points in mind. I think that the lessons from writing a short story translate perfectly into a Suspense / Thriller or Adventure story. Your words and sentences have to be short and sharp. You have to connect with the reader in a very immediate way that is very visceral in impact. This is definitely a medium of writing that I am going to continue to further hone my writing craft.

Have you written any Short Stories? What challenges did you face?

Stretch your creative muscle this week by writing a Short Story. You may just find that this Art Form teaches you essential points about writing that you have missed before now.

© All Rights Reserved Kim Koning

Synopsis: Are you in or out of Sync?

Unique Selling Proposition / Unique Selling Po...

Recently I completed an online workshop run by Savvy Authors. The course was called Pass the Shovel. In this course each lesson was about breaking down your story, your plot, your voice, your dialogue and your characters. I found the whole course very worthwhile but the lesson that I found the most enlightening was lesson 1. Lesson 1 was about breaking down your book into a summary or what the writing industry calls a synopsis.

synopsis |səˈnäpsis|noun ( pl. -sesˌsēz|)a brief summary or general survey of something : a synopsis of the accident.

• an outline of the plot of a book, play, movie, or episode of a television show.

DERIVATIVES synopsize |-ˌsīz| |səˈnɑpˈsaɪz| verb

ORIGIN early 17th cent.: via late Latin from Greek, from sun- ‘together’ + opsis ‘seeing.’

synopsis – noun

the synopsis was so intriguing that I just had to buy the book summary, summarization, précis, abstract, outline,

digest, rundown, roundup, abridgment.

Then on my writing groups that I belong to, there have been various discussions about the horrors and necessities of the Synopsis. So I thought today’s post should be about the topic of the month: Synopsis ~ Are you in or out of sync with your synopsis?

So why is a synopsis necessary?

  • A synopsis is needed when you write your query letter and you pitch your book.
  • An agent does not have the time to read the first 50 pages of every manuscript that lands on their desk. They need a “taster” to see if your book is going to be featured on their menu. Cue in your synopsis.
  • An editor does not have the time to read the first 50 pages of every manuscript that an agent lands them. They also need a “taster” to see if your book is up their alley. Cue in your synopsis.
  • Your synopsis is your billboard advertisement that gets the passing agent’s/editor’s attention on the highway to a sold and published book.
  • Your synopsis is the clincher in getting your book from your bottom desk drawer to the hands of an agent then an editor and finally your reader.
  • Your synopsis is a SELLING TOOL. It is a way to convert your manuscript from a story to a published and saleable book.
  • To write a successful synopsis you need to think with a sales mind and not a writer’s mind.
  • The synopsis is your SPIN-DOCTOR for your book.

So we have just a few reasons here to tell you that a synopsis is vital to the success of you finding an agent, an editor and a publisher. So now we come to the crux of the matter:

How do you write a synopsis?

How do you get “in sync” with your synopsis?

One of the tips that I have learnt about over the last few months has been the value of being able to write a maximum 50 word synopsis. This will encapsulate the Hook of your story. Then from there build that up to a paragraph long synopsis. Next try building that up to a page long synopsis. Finally try building that up to a 2 page synopsis. Now you may still be reading this and scratching your head in consternation. You are still stuck with the idea that you have to hone down a 70 000 – 100 000 word novel into 50 words then finally into 2 pages. Well here are some questions that may help you break down your novel into synopsis form.

  • What’s my idea?
  • Where does my story take place?
  • When does my story take place?
  • What is my timeline?
  • Why is this happening?
  • What is my POV – Point Of View?
  • Who are my characters?
  • How will I begin my story?
  • What is my plot?
  • What is my complication?
  • What is my climax?
  • What is my resolution and anti-climax?

The main points that should be in your synopsis are:

  1. The HOOK – This is your USP or UNIQUE SELLING POINT. This is the part that you want to put front and centre and at the top of your synopsis. This is going to be the GRABBER.
  2. The CHARACTERS – Stories are about people. Tell us about your Main Characters. Tug at our heart-strings. The main points here should be: Motivation / Conflict / Goals. What makes this character’s story interesting? Why would a reader want to invest time and emotion in this story/this character?
  3. The BODY of the STORY – Here is where you want to focus on the PLOT of the story. Keep your writing tight and concise. Only put the necessary plot points here. Tie together your plot with your main characters.
  4. The CLIMAX / ANTI-CLIMAX / RESOLUTION – This will pull the whole story together. This is the part where you tie all your different colours of strings into one seamless ribbon. This is where all the questions of your story will be answered. This is where your character will change and grow. These will be the A-HA moments in your story.
  5. Use present tense at all times. Irregardless of whether your book is set in the past or the future, the present tense of a synopsis will put the agent / editor directly into the heart of your story and allow them to walk in your character’s shoes. This will create an emotional pull for them.
  6. Use strong adjectives and emotive language when writing your synopsis. This is your one chance to get the agent/ the editor’s attention. Use your best written skills for this synopsis. Do not waste space or words.

How are you feeling now? Are you feeling more confident with tackling The SYNOPSIS? Are you feeling more “in sync” with your synopsis?

Now lastly, when do you write a synopsis? There is no hard and fast rule that you can only write the synopsis at the end of the novel. In fact, if you leave it til then the nerves and doubt will kick in. Try your hand at writing a loose synopsis at the beginning stages of your novel. You will have the bare bones of your final synopsis. You may even find that your synopsis may be a guiding point for your story. I have written a synopsis both at the end of a WIP and now I have written one at the beginning of my current WIP. In this latter synopsis, I reached a moment of EPIPHANY in the conflict and the anti-climax of my story. Now I can tackle my WIP with renewed vigour and when it comes to the final synopsis, I have already completed half the task by writing my synopsis first.

Now it is time to get IN SYNC with your SYNOPSIS!

© All rights reserved Kim Koning.

Facebook for your Fiction

Fictional Character
Image by Silver Starre via Flickr

Facebook is everywhere. According to statistics if it was a country it would be the 3rd largest country in the world. Everyone who is everyone has a Facebook profile page. It is a way that you communicate with your friends and meet new friends and form networks or communities. It is a tool that politicians and entertainers use to connect with their fans. I even have some friends on Facebook who have pages set up for their pets.

Do you ever feel that there seems to be a block between you and your character/s? Or maybe you find that your character does not have enough of a voice in your WIP? If this is the case, I may have a solution for you. In one of my online writing groups, a fellow writer has suggested forming a group for our fictional characters to interact. This led to another member suggesting that each character should have their own name.

This has led me to creating a page for my MC in my NaNoWriMo Novel. At first I created a public page for her but realised that she would be speaking through me. She is a very forthright and a strong individual so I have now shown her how to set up her own page.

So I have created her own profile. Now at times I may still guide her in this Facebook adventure. She does not come from our time. She comes from 1862 and believes that it is 1862 now.

I have allowed her to have her own page to help her in her task. She believes that I am her guide although I hesitate to tell her I have imagined her. Actually now that I think of it, I am not sure that I imagined her at all. You see I would like to get to know her more. She can be quite reticent and stubborn and I am hoping to increase her social network as she does tend to be a bit of a loner.

So your Monday lesson is to create a Facebook page for your fictional character or even a blog. You can either create a page and be an administrator on this page. Through here you can switch identities from your actual identity to your fictional character.

Here are some instructions for creating a page for your fictional character on Facebook:

  1. Go here: Facebook Pages
  2. Choose the “Entertainment” option
  3. Then choose to set up the “Fictional Character“. This will be one of the choices in the drop down list for categories.
  4. Enter a name for your fictional character.
  5. After agreeing to Facebook terms, you will have a page set up.
  6. You can then suggest this page to any contacts you wish.
  7. Add your characters bio and personal info.
  8. You will now be the admin for this page.
  9. On the right hand side of the page, you will see an option to switch identity. This means that you could post as yourself or virtually through your character’s page.
  10. Just like any Facebook page, you can add photos, post statuses or links and start discussions.

Another way for you to create a real Facebook presence for your fictional character would be to create a brand new account under a separate email address from your own.

The advantages of giving your character their own Facebook account is enormous as a tool to get to know your character. She/He can also then have their own friends on Facebook and maybe meet up with other fictional characters.

Enjoy creating an online identity for your character. You never know, you may just find out things about your character by peeking into her virtual world. Enjoy hearing your character speak for her/himself. It may open even more avenues for your WIP.

-Kim

© All Rights Reserved Kim Koning.