Tag: Tales for Canterbury

Hello June…I am going all Jackson Pollock on You

Awards, Goals, Ink Slaying, Kim Koning, Notes on Wrestling The Muse, Published Works, Tales for Canterbury Anthology, Writing

It’s June!

It’s time to get a little crazy, go a little wild, ride the winds…

I am going all Jackson Pollock on this month!

As stated last week… “I am going to do more than play Hookie with Tattoo. I am going to have a full-blown affair with Tattoo. The urge to write must take control over the urge to edit. I cannot wait for that delicious feeling of playing hookie and that first blush of the first draft.”

For the first time in months I am going to be flinging my creative ink at the canvas of my new WIP without thought of editing and embracing the freedom and unadulterated joy in WRITING that First Draft!

“A dripping wet canvas covered the entire floor … There was complete silence … Pollock looked at the painting. Then, unexpectedly, he picked up can and paint brush and started to move around the canvas. It was as if he suddenly realized the painting was not finished. His movements, slow at first, gradually became faster and more dance like as he flung black, white, and rust colored paint onto the canvas. He completely forgot that Lee and I were there; he did not seem to hear the click of the camera shutter … My photography session lasted as long as he kept painting, perhaps half an hour. In all that time, Pollock did not stop. How could one keep up this level of activity? Finally, he said ‘This is it.’

Pollock’s finest paintings… reveal that his all-over line does not give rise to positive or negative areas: we are not made to feel that one part of the canvas demands to be read as figure, whether abstract or representational, against another part of the canvas read as ground. There is not inside or outside to Pollock’s line or the space through which it moves…. Pollock has managed to free line not only from its function of representing objects in the world, but also from its task of describing or bounding shapes or figures, whether abstract or representational, on the surface of the canvas.”

– Hans Namuth 1950

I love the first blush, the illicit intimacy and the head-rush of a First Draft. First Drafts are all about the Writer, the Creative, the Artist. I love simply getting lost in a first draft and a new story. I love meeting the new characters and watching their scenes in my mind’s eye like a movie. I love that the story can and will go anywhere and everywhere.

What do you love about first drafts?

________________________

In other exciting News just in from this weekend…The anthology that could…

WooHoo! I am now a contributor to an AWARD-Winning anthology! “Tales for Canterbury” just scooped the 2012 Sir Julius Vogel Award in NZ for the Best Collected Works in Speculative Fiction-SciFi/Fantasy/Horror. This is a national award awarded annually at the NZ National Science Fiction Convention to recognise achievement in Science Fiction/Fantasy/Horror.  Congrats to our editors: Cassie Hart and Anna Caro on scooping the win! The editing team did a brilliant job in pulling together a great crew of authors, who all contributed incredible stories all for an amazing cause. Once again, I am so proud and pleased to be part of a fantastic crew of authors and editors who helped get this anthology  out there.
There are still print copies available on the current print run of Tales for Canterbury. You can buy them here. *All profits* will be donated to the NZ Red Cross Earthquake Appeal. See talesforcanterbury.wordpress.com for more details. (* ie after we’ve paid any applicable transaction fees, printing, and shipping costs – neither Random Static nor the authors are keeping a cent)
A little background on the Sir Julius Vogel Award: The awards are named for Sir Julius Vogel, a prominent New Zealand journalist and politician, who becamePrime Minister of New Zealand in the 1870s. He also, in 1889, wrote what is widely (though erroneously) regarded as New Zealand’s first science fiction novel, Anno Domini 2000 – A Woman’s Destiny.[1] The book — written and published in Great Britain after Vogel had moved from New Zealand — pictured a New Zealand in the year 2000 where most positions of authority were held by women – at the time of writing, a radical proposition. In 2000, New Zealand’s Head of State, Governor General, Prime Minister, Chief Justice and Attorney General were all women, as was the CEO of one of the country’s largest companies, Telecom.
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#Creepfest Spotlight on “Tales for Canterbury”

Blogging, Interview Chair, Kim Koning, Press&Interviews, Tales for Canterbury Anthology

The wicked wit of Axel Howerton spotlights the anthology “Tales for Canterbury”

– with my debut short story “The Ring of Fire” (YA Dystopian) –

on his blog: Fine Coffees and Furious Fiction

Find the Spotlight here.

kim-creepfestlogo

 

 

Ring of Fire – Hope ~ Tales for Canterbury

Anthologies, Books/Writers, Ink Slaying, Kim Koning, News, Notes on Wrestling The Muse, On My Desk, Postaday / Postaweek 2011, Short Stories, Tales for Canterbury Anthology, WIP, WIP Teasers, Writing

Table of Contents – Hope | Tales for Canterbury.

Ring of Fire – Hope – Tales for Canterbury

My first short story will be published in the upcoming month in an amazing anthology of short stories called Tales for Canterbury. This is a project that I am proud and honoured to be a part of. Firstly it is a wonderful selection of stories by very talented authors. Secondly it is a project dear to my heart personally as not so long ago I called Christchurch, New Zealand home. So to be able to be part of a project that honours Christchurch and raises funds for the Red Cross is very special to me.

The book has been broken up into 3 parts:

  • Survival
  • Hope
  • Future

Each part has stories that are themed around one of these three parts.

My story, Ring of Fire, is set in the Theme of HOPE.

When I was first invited to submit for this anthology I was only given these 3 key themes and told that the story needed to encapsulate either one of these three or could be a combined theme of all three. I was also told that it needed to be a fantasy-based story.

At first I pondered on these three themes for about a week or two. I realised that these three themes are core themes of the human drama we face in all cultures. I also felt a kinship with these themes as these are the themes in most of my own writings from my poetry to prose to novels. I believe in Survival, Hope and Future. But for me the greatest of these three is HOPE. For without hope it is difficult to survive and without hope it is impossible to conceive a future out of that survival. So I knew that I had chosen a theme that not only was the basis for the other two themes but something I desperately believe makes all the difference in our lives as human beings: HOPE.

Did I have a story in mind? Not immediately. But the story found me. Or rather my MC found me and told me her story. Within a few days I had the story in front of me. I was ready to compile it and submit it through to Tales for Canterbury. This story is unlike any of my other stories but the theme and premise is the same that threads its way through all my stories. The character was a challenge for me as it was a different POV than I am used to writing in. But the story weaved itself out onto the page and before long I knew I had a “quilt” of hope, survival and future in MS form.

This story is set in a dystopian world and centres on one Main Character who against odds is forced to be a Survivor. This MC is similar to my other MCs in that looking at the MC you see a vulnerable character who does not quite fit in with anyone or anything. Two terrible crises brings the inner strength of this character to the light and hope shines through a dark time. The story is told through the voice and perspective of the MC. As this character experiences danger and is thrown into a fight for survival, so you the reader will feel the same fear, doubt, flight/fight response, rallying strength and refusal to give up and in the end pure HOPE: the lifeblood that gives her strength to see a future that is brighter than what has gone before.

It is wonderful when a character is able to capture your heart. I believe this character will capture your heart as mine was captured. I believe in this story and I believe in this MC. But more than that I believe in the underlying message that threads its way through the story. It is not only the strong that survive. Sometimes it is those that seem most vulnerable that shine in sheer strength when their soul is tested by great trials. Sometimes vulnerability and innocence are just masks for a pure and noble spirit. In times of great conflict and drama, these masks fall away and the true spirit of strength shines though. Sometimes all a person/character needs is hope and a reason to fight for survival. Give them both and you have a warrior that is pure and strong in heart.

That is Ring of Fire.

_______~~~_______

What is Tales for Canterbury?

Tales for Canterbury is a short story anthology loosely themed around survival, hope and the future. All profits of this anthology will be donated to the Red Cross Earthquake Appeal.

Tales for Canterbury

The anthology will be released in April/May 2011 in electronic and paperback formats.  It features stories by RJ Astruc, Philippa Ballantine, Jesse Bullington, Anna Caro, Cat Connor, Brenda Cooper, Debbie Cowens, Matt Cowens, Merrilee Faber, AJ Fitzwater, Janis Freegard, Neil Gaiman, Cassie Hart, A.M. Harte, Karen Healey, Leigh K. Hunt, Lynne Jamneck, Patty Jansen, Gwyneth Jones, Tim Jones, Kim Koning, Jay Lake, Helen Lowe, Kate Mahony, Tina Makereti, Juliet Marillier, Angel Leigh McCoy, Linda Niccol, Ripley Patton, Simon Petrie, Grant Stone, Jeff Vandermeer, Mary Victoria and Sean Williams.

Pre-orders are now available from Random Static Press.

If you would like to contact us, you can email Cassie at winterchild9@gmail.com

We are so excited to have pre-orders open! Check out our new page “Get Your Copy!” or go straight to the source and head over to Random Static.

The print copy is priced at NZ$24.95 (including postage within NZ) and the digital version is a mere NZ$12.00! At those prices, you might as well pick one up for a friend too. ;-)


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