Writing Epiphanies in the Brushstrokes of Picasso

This last weekend I had the rare pleasure of attending an art exhibition of the Modern Masters “Degas to Dali” that called my city a temporary home on loan from The National Galleries of Scotland. With 79 works by over 60 Modern Masters from Renoir to Monet, Degas to Dali, Picasso to Warhol and Van Gogh to Matisse it was a feast for the creative senses.

You are probably wondering what an art exhibition of The Modern Masters has to do with writing and Wrestling the Muse. Everything. Writing is just another form of art. Where the great Masters of the art world used exquisite brushstrokes to create pictures and stir the senses, writers use ink blotches and words to create worlds that a reader can step into. Writing, Painting, Sculpture, Music are all forms of Art. If you are a writer, you are a creator of worlds and an artist of words.

What struck me during my tour of the exhibition was how alike a painter wrestling with his creation is to a writer wrestling with his. We both have a very specific vision of the completed work but at times the journey to get to that point of writing The End or framing that completed canvas is fraught with struggle. There was a room where the quotes of these great Modern Masters had been displayed on a wall. These are some of the quotes that stood out to me. These same quotes could directly be used for us writers.

  • I begin with an idea and then it becomes something else. – Pablo Picasso
  • I have a horror of people who speak about the beautiful. What is the beautiful? One must speak of problems in painting  a story! – Pablo Picasso
  • If there were only one truth, you couldn’t paint write a hundred canvases stories on the same theme. – Pablo Picasso
  • Inspiration exists, but it has to find us working. – Pablo Picasso
  • It took me four years to paint write like Raphael (insert a Master of Literature here), but a lifetime to paint write like a child. – Pablo Picasso
  • Action is the foundational key to all success. – Pablo Picasso
  • An idea is a point of departure and no more. As soon as you elaborate it, it becomes transformed by thought. – Pablo Picasso
  • Are we to paint write what’s on the face, what’s inside the face, or what’s behind it? – Pablo Picasso
  • Art is the elimination of the unnecessary. – Pablo Picasso
  • Only put off until tomorrow what you are willing to die having left undone. – Pablo Picaso
  • Others have seen what is and asked why. I have seen what could be and asked why not. – Pablo Picasso
  • Our goals can only be reached through a vehicle of a plan, in which we must fervently believe, and upon which we must vigorously act. There is no other route to success.– Pablo Picasso
  • Painting Writing is a blind man’s profession. He paints writes not what he sees, but what he feels, what he tells himself about what he has seen.- Pablo Picasso
  • The hidden harmony is better than the obvious. – Pablo Picasso
  • The more technique you have, the less you have to worry about it. The more technique there is,the less there is. – Pablo Picasso

Just like the great artists, us writers have to get messy with our creations. We have to be willing to be ink-splattered. We have to be bold and unafraid. We have to let the story take control over the technique. We have to disappear so our characters can talk to the reader. We need to remember to tell stories like a child does. We need to let loose our passions into the story. We need to remember that up close we the artists may see only brushstrokes and mess but from a distance our audience the reader needs to see the full picture. We need to step back and look at our work with the eye of a reader to truly see if we are consistent in the path our story has taken. Remember to not only read but to look at beautiful art, listen to beautiful music, touch a beautiful sculpture. Seek out inspiration and it will show itself to you.


Always Trust Your First Instinct

Have you ever had a piece of advice that has translated into everything you do? Many years ago a junior school teacher gave me just such a piece of advice. Her advice:

Always Trust Your First Instinct

This is a lesson that I have returned to over and over again in my life. Sometimes a little seed of doubt – damn that doubt – creeps in and I second-guess myself. But time and time again I have to do a 180 or a 360 turn back to that first instinct.

This last week has been one of those weeks where I had to do a 360 turn back to my first instinct in my WIP. On advice, from an agent and from a few authors, I had second-guessed a key element of my WIP’s story structure. After much tweaking and re-tweaking I made the new way work. But the entire time while working on the 2nd draft, this new style kept on grating on my nerves. I couldn’t figure out why this 2nd draft was not jelling with me and why this WIP was so determined to fight me every inch of the way.

Then I was asked a question by my cp that jolted me into a massive A-HA (no, I don’t mean the Oprah saying, I am talking about a huge ballad ala AHA the 80s pop band) moment. What was the question? She asked why I had ever changed styles from the 1st draft to the 2nd draft. Bells and whistles went off in my head! Why indeed? Well, there is no reason I can’t change back, is there? No. That is what editing is about. We can change our minds. We can make 180 or 360 turns. We can cut out, add in and re-splice scenes and chapters.

So here are my writing tips for today in #lessonslearnedwhenediting …

  • Always trust your first instinct & Always trust your story
  • The story is your own, hold your own pen and write the story you must write the way it needs to be written because the writing is not done until you type The End.
  • You can always do a 360 and return to your first instinct…It is never too late until it is too late.

Have you ever second-guessed your first instinct & then ended up doing a 360 back to that first instinct?

Has a WIP ever fought you and just not jelled? – What did you do?

Talk to me…It’s not in your words, It’s all in the way you move…

People are communicators. We love to communicate. We want to communicate. We need to communicate. But what about when words don’t get your full meaning across? What about when talking is just not enough? Have you ever traveled to a country where you did not speak the language there or did not speak it well enough to communicate? What did you fall back on to communicate? You used body language. You used facial expressions. Words can sometimes only go so far and even if you speak the same language, words may have different meanings to different people. So people use body language or non-verbal communication to get their meaning across.

Non-verbal communication is 90% of the way we communicate and verbal communication (words) is only 10% of the way we communicate. So it really is true: Actions speak louder than words.

When a reader picks up your completed novel, they are visiting a new country that is foreign to them. They are entering the world of your characters that you as the writer have created. You may know all the rules. You may see all the scenes in your head. But just because you can, don’t assume your reader can see them too without you communicating these scenes to them. Yes you can use descriptions to describe scenes and you can use dialogue to give a presence to your characters. But how do you show what the character is thinking or feeling in action? You use non-verbal communication, body language, facial expressions and micro expressions.

Ok, so how do you learn to write body language? Before you get to that question, you should first ask how do you learn to understand body language in the real world? We have all heard the expression: write what you know. Body language definitely comes under this. If you don’t do some research on body language you as a writer will be forced to either have the talking-head syndrome or you will be using clichéd phrases and descriptions to communicate your character’s body language. Clichés sometimes are avoidable and they do have their place but it is far better to try for something original.

So who are the experts in body language? Who can you talk to, to find out more? Here are some options for you:

  • The Police
  • Lawyers/Judges
  • Jury Members
  • Medical People
  • Psychologists/Psychiatrists
  • The Military
  • The Airline Industry – Pilots, Flight Attendants
  • PR (Public Relations) Experts
  • Communication Experts
  • Sales People

Off the top of my head these are just a few of the industry experts who need to read, and understand body language. From my day jobs in both sales management & training and my days as an international flight attendant (especially in this role) body language was key to doing my job correctly. In terms of my airline experience we were taught by two police detectives and a psychologist how to read body language. A lot of the most missed body language comes under micro-expressions. Below is a short video detailing the basic micro-expressions all people use to communicate various emotions.

The other layers that make up the linguistics of body language are voice tone, body posture, sign language and then individual “tics” that are unique to each individual. Think of it the next time you are in a room with someone. Think what body language you are using. Does it contradict what you are saying or does it add to it? Think of the other person. What does their body language tell you? Like most things in life, learning to read and recognize body language needs to be practiced until eventually it will become an unconscious habit.

Writing

So how do you add your new-found linguistic skills in body language to your scenes? Let’s take a simple expression that we all can recognise and all have used: smiling

Eliza smiles.

The above sentence is fairly self-explanatory. You have a character named Eliza and she smiles. But 10 people could read that and get 10 different images in their minds explaining the smile. As a writer you have a choice to either let the reader choose their own interpretation or you can open up the scene for them.

Her lips curve slightly before she can pull them straight.

Now I have opened up the scene a bit. I have told you in one sentence that she smiles but is trying to hide the smile. Perhaps she is nervous or perhaps she is shy.

In the doorway he stares at me and smiles.

Again there is nothing “wrong” with that sentence but it lacks emotion and falls flat as a result. How does he smile? Why is he smiling? What does the doorway look like? What is he thinking/feeling? The above sentence does not tell the reader any of that.

Standing in the shadowed doorway, his eyes crinkle at the corners and his lips twitch into a knowing smile.

Now the reader can picture the doorway. The reader can picture the man. They can imagine him perhaps leaning against the doorway. The reader can see his smile is a teasing smile, perhaps with a slight twinge of arrogance or confidence.

These are just two twists on using body language to open up a simple expression of smiling. You could come up with 100 others.

Here is a simple exercise: Go to a mirror and smile. But think something when you are smiling. Perhaps you are thinking of something embarrassing and the smile that comes to your face will be a nervous one. Look at what your eyes are doing, how are your lips curving. Are you smiling with your teeth showing or are you smiling with a closed mouth?

A myriad of micro-expressions can come into a simple smile depending on the person’s mood or the circumstance or the person they are with. Using these skills of describing these micro-expressions will bring a scene to life for your reader.

Two television shows that are fantastic for learning to recognise body language are Criminal Minds and Lie to Me. Criminal Minds is a television show based on the cases of a team of behavioral specialists & experts in the FBI. Lie to Me is a television show about a man who makes a living from being an expert in body language and micro-expressions. Most police shows are very educational with learning how to recognise body language but these two series are my favourite go-to series.

Do you make a conscious effort to use body language in your writing?

What is your most challenging “simple expression”, like smiling, to write using body language?

Losing yourself in your character’s world

World building = Creating complete new worlds that live and breathe and surround your characters

World building is often underplayed if your WIP is not a fantasy or a sci-fi but world building underplayed is to the detriment of your story and your characters. The reader cannot see what you see in your mind without you doing some world building. World building is more than just your setting of a scene or description of a place. World building is about building a world for your characters as much as for your reader. It is about translating this “new” world so effectively to your reader that they leave their own reality to enter that of the one you have created. After all, is that not the end goal of fiction.

What if your world is some place real? Then you need to write what you know. This does not mean that you are limited to your small town that you have lived all your life. No, it means that there are a multitude of ways to get to know the place you are wanting to set your story in. Now, with social networking and the internet there is no time for excuses anymore. You could travel to that place and immerse yourself in the 5 senses peculiar to that place. But not everyone has a bottomless wallet nor a disposable schedule. What then?

Google Earth and Google Maps are the cornerstones of the traveller who sits in his living room wanting to explore the world. With Google Earth you can get accurate current time images of a particular street let alone just a town. Google Maps is fantastic for authenticity of urban areas in particular. If you are writing about New Orleans, for example, you want the reader who lives in New Orleans to believe you have been there also instead of them finding huge plot holes in your setting. Google Earth and Google Maps are simple to use and cost you nothing but your time. Be careful though, you may get lost in the wonders of these tools.

Another way you can “travel” and “explore” somewhere is to search for personal blogs or travelblogs that post about the place you wish to write about. Bloggers and travel bloggers in particular can give you a wealth of information. Their posts can also add colour to a place by writing about the people, the specific venues, the culture and the vibe of a place.

There are other parts of world building that you may want to explore for your WIP. What about the activities that your characters occupy themselves with? You may have a character who is a detective and needs to be a good shot. Ask your local police station if you can spend a day with a patrol car for research purposes. You might have a character who is a sword-fighter. Find a fencing class and go for a couple of lessons.

Costumes are another favourite of mine for world building. If I am writing about the tightness of corset stays, I need to know what wearing a corset feel like. If I am writing about a character needing chainmail as armour then I need to know what chainmail feels like.

Food and drink is another way to world build. Taste the foods your character eats. There is no better way to find out the sweetness or the tartness of something than tasting it yourself.

This is what I believe is meant when you hear the cliched saying: write what you know. Learn to know things to be able to write about them. Your diligence in immersing yourself in your characters’ world will come across as dedication to your reader. Your reader will see what you see and what your character sees. The experience of writing your WIP with your new knowledge will be palpable with richness of actual experience which will make the reader’s experience of reading your story the richer for it.

For this week, I challenge you to come up with a place where a new story is set and build a world around it using the tools above. You are not expected to travel there in body but travel there in mind through all the above and tell me what you find. Your only borders and limits are your own imagination. You may just spark a new idea for a story.

In the name of Research and world building, I spent this weekend at the Gypsy Fair…surrounded by essences with the names of Dragon’s Blood, Black Magic, Night Queen, Liquid Moon and hearing the soft tinkling of hand blown glass and crystal wind chimes…took photos galore, bought chakra oils and perfume and cleansing herbs (all again research material) and bought a gypsy dress to truly immerse myself in “being” a gypsy. I took a walk inside the home of one of the gypsies – an original horse drawn painted wagon. I watched a fortune teller read the tarot for someone and saw another read their palms. There were sounds of guitars from the traditional gypsy band, laughing children, barking dogs and miniature horses. It was truly like entering another world. I was so entranced that I am even considering traveling with the gypsy fair for a week: now wouldn’t that be incredible. (More to come on this excursion in an upcoming blog post.)

Tell me: what is the craziest or weirdest activity you have undertaken in the name of world building/research?

What activity would you like to take up in the name of world building in your current WIP that you have not done already? 

Thursday Tips & Tools | HELP! S.O.S.

HELP! S.O.S (Save Our Stories)

We all have had this at one point or another…no I am not talking about Writers’ Block

nor am I talking about instructions on head massage over SKYPE or a G+ Video Hangout…

The thing, you thought would never happen to you has happened!

Your hard worked over WIP is lost not to mention all the countless hours of research. You may have updated a program and through a glitch all your work in the old program was lost. You may have spilt your necessary mug of coffee all over your keyboard and the machine fried. You may have opened one of those hilarious forwards from your Aunt May and it spread tentacles of a dangerous virus right throughout your system and all your files have been wiped clean or deleted. No matter how it happens, it happens to every writer who works with a laptop/computer. If it has not happened to you yet, do not think you are one of the lucky ones, it will happen and it will also happen at the most inconvenient time. You have just got to a crucial point in your WIP that unveils the whole twist in the story’s tale. You may have just typed end on your final edited draft but not yet transferred it to any disk-key or printed it yet. Whatever way it happens, it spells disaster. Yes I hear you say….”It’s ok. I back-up.”. When was the last time you backed up? What did you back up to? Did you back up right before the computer/program crashed? Did you back up to an email folder on your computer or even an alternate folder on your computer? Now, before rushing off to back off, I need your attention for just 5 minutes more. I just need to tell you one more thing…

DROPBOX

You see I tell you all the above because I speak from bitter experience. But what is experience unless we can learn from it. This has happened to me twice. The first time was a disaster because although I did backup, the backup folder was on the same computer that crashed. I lost everything. Research, articles, the WIP’s, emails and yes I lost the backup too. It all disappeared into a dark vortex of hot lava when my computer was fried from onboard chargers on an international flight. The worst thing was that I had over 800 brand new photographs from my trip which I was planning on sifting through when I got home for a travel article. The disaster was out of my hands in this instance. A clever IT guy managed to get a lot of it back but the most important stuff was frizzed and burnt out when all the electrical components in my laptop were fried by the onboard chargers.

Then after much pulling out of hair and stamping of feet and many french translations, I took a deep breath and bought an Apple laptop. (All of my previous had been Windows PCs.) Then I started backing up to external sources and I got very pedantic about backing up. I backed up before exiting every work session. I am still a tad on the obsessive side with backing up.

Then this year I found Dropbox at a friend’s invite in my inbox. When I read up on it, I was skeptical of using an online storage facility. How could I be sure nobody else would access my documents/research/photographs. So I ignore the invitation and then I had a second scare hit me with a program update that unfortunately deleted all my work. Even though I had it all backed up externally this time, it still took me hours restoring it. So what happened? I didn’t wait for the third disaster. I accepted the dropbox invitation and signed up immediately.

Ever since then, fingers crossed, with no third disaster I am breathing easily. I am not saying nothing else will go wrong. It might. But now I know that all my documents are safely uploaded and updated to dropbox. It is even done automatically. Once you have loaded up a document to Dropbox, every time you make changes to or update it, the document is automatically updated in Dropbox. Dropbox is online storage but it also lives in a little window on your finder or explorer on the computer. So you do not even need to open up the online storage to view the folders there, you just go to the dropbox folder on your own computer. With dropbox you can also synchronize all your mobile pda’s, iPads, netbooks or iPods to the same dropbox folder. This in turn will synchronize with your main computer/laptop. So wherever you write and whatever you write on, it will be both backed up and updated to Dropbox and will also immediately be available on your main computer as well. You can back up practically anything to Dropbox: documents, images, graphics, music, you name it and you can back it up. Dropbox is now so popular that many word-processing programs have a dropbox option that will sync with your dropbox.

Your work is also 99.9% safe. (There is no such thing as 100% safe.) It is also very secure. Your account is password activated. You can then also put different passwords on each of your files that you upload. If you wish to make the work public, there is that option too. Also if you wish to share something with a colleague or another writer or just share some images/music with friends and family, you can create a shared folder that is also password activated and is only accessible to you and the other person. This is really great for critiques.

Oh…did I mention Dropbox is free. Not just that, for every friend you invite you get extra space on your storage account. You already start off with 2GBs when you sign up but the more friends you invite, the more space you get. So tell me…have I convinced you to at least take a look at it? Here are a few more tricks that Dropbox can teach you…

Running with Words

I am a runner. There is nothing as contradictory as running. It is energizing, muscle-hurting, lung-stretching and a rush. In my time I have done quite a bit of gymming and different sports but I am dragged back to running each time. There is something liberating about running alone. The air is crisp, your muscles are burning as you push yourself past your body’s limits and your lungs are expanding with air while your heart pumps fresh oxygen into every vein and artery of your body. There is nothing like being outdoors in the fresh air, you against your own muscles. For every person who runs, no explanation is necessary. Running is a sport of obsession and addiction.

“Running is the greatest metaphor for life, 
because you get out of it what you put into it.”

Runners fall into two main groups:

  • Sprinters
  • Marathon Runners

You may think all running is the same but this is not true. Sprinters and Marathon runners are two entirely different creatures. If you compare the physiques of the two different types of runners, the differences are immediately visible and noticeable.

The real purpose of running isn’t to win a race; it’s to test the limits of the human heart  – Bill Bowerman

Sprinters are built up in their torso and have heavy muscular thighs. Marathon runners on the other hand sport physiques that are more sinew than muscle, long and lean limbs with powerful calf muscles.

“Running is 90% mental, the rest is physical.” – Anon.

In running, I have always been a middle distance to Marathon runner. For me there is an art form to Marathon running or long distance running. The runner needs to know their own body rhythms exceptionally well. This means being in tune with your heart rhythms and knowing your body’s stressors or stress points. Unlike sprinting where the minute the gun fires, you are off at a mad rate to get to the finish line at full power, marathon running takes patience. You have to start off pacing yourself. You have to plot your race from start to finish in your mind even before you begin the course. You need to know at which point you will increase speed, which points you will pace yourself and at which point you will finally push through with all your strength until the final resting point. Sprinting is pure exertion and physical power. Marathon running is as mental as it is physical. Most sprinters are in it for the competition. For a marathon runner it is about pushing yourself past your last burning point and forging on. It is a competition of your mental will vs your physical ability.

Writing for me is Marathon Running with Words.

Writers and runners are the same creatures. They require hours of solitary focus, mental and physical endurance, a paced rhythm, obsession and intense self-discipline.

“Running makes you an athlete in all areas of life…trained in the basics, prepared for whatever comes, ready to fill each hour and deal with the decisive moment.”
– Dr, George Sheehan, runner/writer/philosopher

Why is writing like Marathon Running and not sprinting?

Some forms of writing are like sprinting but most forms share more in common with marathon running. Writing is hard work. For those who don’t write, they may believe that writing is physically an easy activity. But every writer will tell you that this is not so. Writing is physically taxing. It involves pushing past your exhaustion boundaries to get that last scene down before the inspiration vanishes. It is also physically draining to sit in front of a computer and type. If you prefer long hand typing, any writer will show you the calluses that cover their fingers, palms, elbows.

Writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz. Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.” – F Sagan

Writing a novel, like marathon writing, is a long process. Like a marathon, the writer must plot a course to follow. Even if the writer is a pantser who does not plot, they will still follow some sort of a path from beginning to climax to resolution. The writer needs to keep a steady rhythm flowing  to keep the words going. When the going gets tough, the writer needs to forge on ahead. The essential element in writing is to Keep Writing no matter the circumstances or the mood.

“For a sprinter the thrill is going fast, but for a distance runner it is the journey in between the start and the end.” -a coach

A marathon runner will run in all weather; rain, sunshine, fog, cold, heat. When you are in that particular mental zone during a run, all of the external factors like weather and screeching muscles seem to float away. You enter a zen like place where the only thing that counts is to keep on putting one foot in front of the other without breaking your body’s rhythm.

In just the same way, writers will and must write in all their weathers; emotions and moods. If a writer only wrote when  they were in a happy mood or felt inspired, then the actual writing would be minimal. Our emotions and moods are as unpredictable as the weather. Just as a runner has no control over predicting what the weather is going to do, a writer has no control over predicting their emotions or moods. A runner cannot always wait for perfect sunshine with not too much heat and the right degree of wind factor to run. A writer cannot always wait for inspiration to hit and their mood to be 100% positive.

To climb steep hills requires slow pace at first.”                                                         – William Shakespeare

A marathon runner must be able to pace themselves throughout the run. You have to know when to speed up and when to power down. You have to know how far away the finish point is and calculate how much energy you are going to need to make the final push in the last 300 meters.

Pacing is all that makes the flow, the balance, the rhythm of the story. – Denise Leograndis, Fluent Writing: How to Teach the Art of Pacing

A writer must also be able to pace their writing. There will be those scenes where they must power up and surge ahead but there will also be points where they will have to slow down and pace themselves to build a new resource of energy. Their words and writing will reflect their pace. There needs to be an ebb and flow just like the steady pacing of a marathon runner. If they forge ahead with too much power, both the runner and the writer will burn out before they have even reached the half way point of the run or story.

The secret … there is really no secret to the Kenyans’ success. It’s discipline. You have to love what you are doing. It has to come from your heart. You have to like the training … the running … the races. Then you do it from the heart.”  – Mike Korir

Marathon running requires great elements of self-discipline. Nobody is going to make you run. There are going to be days when you just don’t feel like running. These are the days when you push yourself past those mental nay-sayer barriers and forge ahead in spite of them. There are days when you are going to want to spend indoors vegging out on the living room couch.

For me, writing is a discipline, much like playing a musical instrument. It requires constant practice and honing of skills. For this reason, I write seven days a week.” – Dan Brown

Writing too requires great elements of self-discipline. Writing is not glamorous. It is lonely and can often times be draining. Writing is also not something that everyone in the writer’s life understands or even tolerates. Writing steals your time and it locks you away in other worlds that you have created in your own imagination. Writing like running isolates the writer from the outside world.

There is a strength of a quiet endurance as significant of courage as the most daring feats of prowess”                                         – Henry Tuckerman

The great equalizer between a runner and a great runner, a writer and a great writer is Endurance. A marathon runner does not begin running 100kms in a day. This would be unfeasible. Rather they start with 5kms then build up to 10kms then 15kms and so forth. It is through steady pacing that endurance is built.

Writing too is a thing of endurance and practice. You cannot write a novel in a day. Instead you have to pace yourself and slowly build up your daily word count. You start off with a vow to write 1000 words a day. Then slowly you build that up to 2000, then 3000 and before you know it you are doubling that and churning out perhaps 6000 words per day. But your standard of a minimum 1000 words is what started this pacing, this endurance.

As you continue running every day your levels of endurance will be stretched and your muscle strength will grow. In the same vein, as you continue writing every day, increasing your word count a little more each day your level of endurance will also grow.

Beyond talent lie all the usual words: discipline, love, luck — but, most of all, endurance.”                                                                      – James Arthur Baldwin

Writing is Marathon Running with Words. Use the same lessons you have learned in running to forge ahead in your writing. If you are not a runner, then  ask someone who is a runner to tell you what they do to keep focused and to push past their boundaries to reach the finish line. Or even better, think about taking up running. Writers can learn a lot from runners.

But at the end of the day, the element that most counts in a runner’s success is to: Just Keep Running no matter what.

It takes a little courage, and a little self — control. And some grim determination, If you want to reach the goal. It takes a deal of striving, and a firm and stern-set chin. No matter what the battle, If you really want to win. There’s no easy path to glory, There’s no road to fame. Life, however we may view it, Is no simple parlor game; But it’s prizes call for fighting, For endurance and for grit; For a rugged disposition and don’t know when to quit.” – Anon.

So for writing success: Just Keep Writing no matter what.